Band: Taake
Genre: Black Metal
Album(s): Nattestid Ser Porten Vid
Sample: http://www.youtube.com/watch?v=LvukOqFe0wE
So after two consecutive reviews of black metal albums, I'm gonna keep this black-metal-a-thon going until the end of this week. For this review, I want to go into the uncharted areas of after 2nd wave black metal era, where there are still great gems to be found! In this case, it is Taake's "Nattestid Ser Porten Vid," which is one of my personal favorites from the black metal genre.
Taake do absolutely everything right on "Nattestid Ser Porten Vid," and all of it without the satanic imagery, which is a bit of a relief since I have been getting bored of that stuff. Musically, I find their work in "Nattestid..." to be very creative, and they completely fill the music with their own signature sound. The production is a bit murky and at times it almost sounds like there is static noise interference, and this makes it sound really chaotic (which is typically a good thing in black metal). Actually, this particular production is what I would call the ideal black metal production no matter WHAT band you are. Wait, what? Symphonic black metal? Get the hell outta here...moving on...
There are a lot of reoccurring themes throughout this album, and this is definitely one of the things I love the most about "Nattestid Ser Porten Vid." The songs flow together so well, as if they're all a part of one huge story. Now, don't get me wrong; I'm not saying that the songs blend in, making them sound generic and undifferentiable. What I mean instead is that there is actually a reason why all of these songs were put together under the same title, which may also be why it was so appropriate for them to title each track with the album title and a Roman numeral at the end (indicating the order, of course).
Now lets discuss further about these themes. Often times to me they sound like folk-esque melodies: very melodic riffs that paint the natural wonders of our earth, and so on. I may be wrong in saying this, but I'm gonna take a huge jump and assume this album actually is about the nature (specifically the forests and mountains of Norway), but please do excuse me if I'm wrong as I'm not the best in speaking Norwegian. These melodies are of course 100% produced by the extensive use of tremolo picking, and are as efficient as ever in creating wonderful black metal. At some points there is also singing that accompanies the melodies, which also sound a lot like singing in folk music. So I guess it may seem like they were trying to have that whole "pagan black metal in the forest" image going on, which is completely acceptable!
My favorite thing about this album, along with the melodies, is the extravagant drum work. I've yet to hear a single black metal band that has such amazing drumming in their music, that doesn't just use a bunch of blast beats. I hear all sorts of insane fills throughout this album, and even on many of the songs there will be riffs where the guitars repeat the same melody and actually let the drummer have all of the glory! Especially in some songs, you will find yourself having all of your attention on the drums than the rest of the music.